Stories of woods, factories and people

A project by Francesco Jodice for Casa Zegna In collaboration with Sara Gentile Curated by Ilaria Bonacossa

Fondazione Zegna is inaugurating a new chapter in its ongoing commitment to art and nature with Racconti di boschi, di fabbriche and di persone (Stories of woods, factories and people), an original exhibition project ideated by artist Francesco Jodice (Naples, 1967) in collaboration with Sara Gentile and with curatorship by Ilaria Bonacossa. The project was commissioned by Fondazione Zegna in line with its roots and historical identity and is one of the initiatives marking the 25th anniversary of its set up.

From Saturday 17 May to Sunday 16 November 2025, Casa Zegna will be hosting an exhibition that brings together manufacturing, community and nature in harmony with themes dear to the Founder and part of its mission. The result is a sensitive and profound reading of the territory that is home to Fondazione Zegna on the part of an acute observer of the evolution of our contemporary social landscape, an artist who has always studied urban anthropological phenomena and the creation of new participatory processes.

Francesco Jodice’s images – often frontal views, sometimes close up, sometimes from a distance – capture a world of forms and lines, natural and artificial, whose frankness provokes amazement at what’s already known to us.

“The three stories and the cultural landscapes they describe are intimately intertwined: the pattern that emerges is an integral part of this territory’s identity,” explains Francesco Jodice.

Francesco Jodice’s project comes nearly 20 years after the work that Mimmo Jodice did (in 2008) in the same territory, offering a portrait of the landscapes of Oasi Zegna and the interiors of the wool mill (Lanificio Ermenegildo Zegna). The resulting narrative is a new rendering of the place’s essence and identity: two different aspects of the same territory, a place which, like them, exists in a never-ending natural evolution.

Commissioning art innervates the place like an eye-catching thread in a precious fabric, connecting generations, visions, transformations. It’s these bonds – between father and son, memory and project – that constitute the territory’s identity, in a potentially endless narration.

A dialogue between memory and future

The exhibition turns the spaces in Casa Zegna into a living environment, a contemplative place in which photography is a tool for exploring identity, roots and change.

To actively engage the new generations, Casa Zegna is organizing a cycle of workshops for students from local schools, thus creating a bridge between past and future and offering the young an opportunity to reread and re-interpret the landscape and values of the community they live in.

INFORMATION

Open every Sunday
Dates: 17 May – 16 November 2025
Opening hours: 14.30 – 18.30
Tickets: full price €7 | reduced €5

Also open on Saturday 17-24-31 May | Monday 2 June, Saturday 7 June | Saturday 11-18-25 October | Saturday 1-8-15 November

And every day in August

Casa Zegna – Via Marconi, 23 – Trivero Valdilana (Biella)
tel. +39 015.7591463

Francesco Jodice’s project for Oasi Zegna interweaves three visual stories focusing on nature, the factory and the community in this territory. Three photographic projects that are independent but at the same time indissolubly linked by a vision in which the relationship between the place, its industrial life, its natural context and its inhabitants opens a window, both poetic and factual, on a unique reality

Ilaria Bonacossa

THE ARTIST

Francesco Jodice

Francesco Jodice (Naples, 1967) lives and works in Milan. In 1995, after graduating in architecture, he starts using photography and video for artistic purposes. In 1999, he takes part in the formation of Multiplicity, a collective. Between 1996 and 2004, he concentrates on the relationship between big urban landscapes and communities, as seen in projects like What We Want, The Secret Traces and The Morocco Affair. Jodice then turns to different anthropological cultures in relation to the new phenomena of megapolitanism. This is the period of his Hikikomori, Ritratti di classe and the film trilogy Citytellers. Geopolitics has been the artist’s main focus since 2008 and his analysis of the crisis of the western system led to the making of films, installations and photographic projects including Atlante, American Recordings, Rivoluzioni and the more recent West. Jodice sees the practice of art as a civil poetics and his artistic processes promote forms and models of public participation. Examples of such activity can be seen in projects like La notte del drive-in. Milano spara, Babel and Scenario.

He teaches at the NABA – Nuova Accademia di Belle Arti in Milan (2-year Visual Art and Curatorship Studies course and Master in Photography and Visual Design course). He has taken part in collective exhibitions including documenta Kassel, the Venice Biennial, the São Paulo Biennial, the ICP New York Triennial, the Liverpool Biennial and the Yinchuan Biennial. He has exhibited at the Castello di Rivoli (Rivoli, Turin), the Tate Modern (London) and the Prado (Madrid). His main projects include the photographic atlas What We Want, an observatory of modifications to the landscape as projections of collective desires, the urban tailing archive The Secret Traces and the film trilogy on new forms of urbanism Citytellers. His most recent works – Atlante, American Recordings, Rivoluzioni and West – explore possible future scenarios in the West. In 2022, with support from the Italian Council, he concluded West, a 10-year project of research into the imageries that American history has generated and spread throughout the world and the reasons for the collapse of this empire as identified by analysis of its symbology. His works can be seen in numerous public collections in Italy and abroad.

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